{"id":49,"date":"2011-07-09T14:43:04","date_gmt":"2011-07-09T14:43:04","guid":{"rendered":"http:\/\/www.spinchbeck.com\/sound\/?page_id=49"},"modified":"2012-11-07T18:21:31","modified_gmt":"2012-11-07T18:21:31","slug":"cd","status":"publish","type":"page","link":"https:\/\/www.spinchbeck.com\/?page_id=49","title":{"rendered":"CD Releases"},"content":{"rendered":"

[heading]Audio Releases<\/span>[\/heading]<\/p>\n\n\n\n
\"\"<\/td>\n[highlight bg=”#222″ color=”#fff”] Remote Controls <\/strong>[\/highlight]
\nReleased: 2012 (Canada)
\nIndependent release
\nFormat: CD
\n[spoiler title=”Tracklist”]
\n1. Remote Controls 35:11
\nLive at Edmonton Works Festival
\nChurchill Square
\nCanada
\nJune 29, 2011Album art by Delina Reiss
\n[\/spoiler]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[divider top=1]<\/p>\n\n\n\n
\"\"<\/td>\n[highlight bg=”#222″ color=”#fff”] Sonic Waking <\/strong>[\/highlight]
\nWith Ken Gregory and Steve Heimbecker
\nReleased: 2006 (Canada)
\nIndependent release
\nFormat: CD
\n[spoiler title=”Tracklist + listen”]Listen to Dream Time Trance >>
\n[media width=”300″ height=”24″ url=”http:\/\/spinchbeck.com\/Audio\/Gregory-Heimbecker-Pinchbeck-DreamTimeTrance.mp3″]
\n1. compression capsule 15:52
\n2. sonic waking 10:38
\n3. dream time trance 11:11
\n4. ambient sleep 13:00
\n[spacer size=”20″]
\nIn 1993 and 1994, Ken Gregory, Steve Heimbecker and Shawn Pinchbeck met at various sound art happenings in western Canada. Previously not knowing that each other were active in the prairies, they quickly realized that they had many things in common with their artistic practices and their origins in the mid eighties in isolation in their respective prairie cities; Ken from Winnipeg Manitoba, Steve from Calgary Alberta, and Shawn from Edmonton Alberta.
\n[spacer size=”20″]
\nIn 1995, Steve and Shawn, because of their close proximity, started collaborating together regularly. Ken and Steve both went to Edmonton several times in the mid to late nineties to perform and conduct workshops for the Boreal Electroacoustic Music Society(BEAMS) of which Shawn was the president of at the time. This particular project started out in February 1998 with an invitation to Ken, Steve and Shawn to go to emmedia in Calgary to do a week long collaborative residency ending with a concert at the Alberta College of Art and Design.
\n[spacer size=”20″]
\nThe results were inspiring for all of them. Ken arranged a concert in November 1998 at the Send and Receive [001] a festival of sound in Winnipeg. This recording is the result of that concert and indeed a snapshot of the electroacoustic activities going on in the prairies at that time.
\nVisit the album site<\/a>
\nAlbum art by Piibe Piirma<\/a>
\n[\/spoiler]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[divider top=1]<\/p>\n\n\n\n
\"\"<\/td>\n[highlight bg=”#222″ color=”#fff”] Resonance\/Dissonance <\/strong>[\/highlight]
\nReleased: 2000 (Canada)
\nIndependent release
\nFormat: CD
\n[spoiler title=”Tracklist”]
\n1. Resonance\/Dissonance – Live June 5, 2000 26:38
\n2. I think of a place with you
\n3. Ajulennuline
\n[spacer size=”20″]
\nLive at the Independent Film and Video Alliance Conference.
\nEdmonton, Alberta, Canada
\n[spacer size=”20″]
\nPerformed utilizing the Supercollider sound processing environment with found and live sounds under MIDI gestural control.
\n[\/spoiler]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[divider top=1]<\/p>\n\n\n\n
\"\"<\/td>\n[highlight bg=”#222″ color=”#fff”] Resonance <\/strong>[\/highlight]
\nWith Marion Garver
\nReleased: 1995 (Canada)
\nIndependent release
\n[spoiler title=”Tracklist + listen”]
\nResonance is the new release by Canadian born performer\/ composer Shawn Pinchbeck and American born flute player\/ composer Marion Garver. Together they create a powerfully crafted mixture of ambient electronic sounds and flute accompanied melodies and textures.
\n[spacer size=”20″]
\nPinchbeck and Garver share the song credits through the ten tracks and 65 minutes of music. The resulting hybrid of sounds ranges from Pinchbeck’s multi-layered synthesizers, samples and tapes spinning sometimes peaceful ambient melodies, sometimes brooding abstract soundscapes; to Garver’s three acoustic instrumental pieces exploring differing musical directions rooted in 20th Century classical and jazz styles.
\n[spacer size=”20″]
\nThe effect it has is to take the listener on an expansive journey with many destinations, some familiar others more exotic.
\n[spacer size=”20″]
\nListen to the audio samples
\n1. Spirit and Flesh >>[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/res\/resaudio\/spiritflesh.mp3″]
\n2. Temporal Reality >>[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/res\/resaudio\/temporal.mp3″]
\n3. For SWRM >>[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/res\/resaudio\/forswrm.mp3″]
\n4. Open Heart >>[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/res\/resaudio\/openheart.mp3″]
\n5. The Sand, The Sea, The Stars >>[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/res\/resaudio\/sandsea.mp3″]
\n6. Dave, David, Davidson >>[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/res\/resaudio\/dave.mp3″]
\n7. Transformation No.1 >>[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/res\/resaudio\/transform.mp3″]
\n8. Opal >>[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/res\/resaudio\/opal.mp3″]
\n9. Dziwna Milosc >>[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/res\/resaudio\/dziwna.mp3″]
\n10. Endangered Spaces >>[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/res\/resaudio\/endangered.mp3″]
\nVisit the album site<\/a>
\nAlbum cover by Anna Tonkovic
\n[\/spoiler]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[divider top=1]<\/p>\n\n\n\n
\"\"<\/td>\n[highlight bg=”#222″ color=”#fff”] Penetration <\/strong>[\/highlight]
\nReleased: 1991 (Canada)
\nFormat: CD\/CASS
\nCover: Jack Germscheid
\n[spoiler title=”Tracklist + listen”]
\nListen to audio samples
\nSIDE A
\n1. Freaks 5:52
\n[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/Audio\/Pen-1-Freaks.mp3″]
\n2. Penetration 4:41
\n[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/Audio\/Pen-2-Penetration.mp3″]
\n3. Furnace of Hell 9:27
\n[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/Audio\/Pen-3-FurnaceofHell.mp3″]
\n4. Demontia 6:44
\n[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/Audio\/Pen-4-Demontia.mp3″]SIDE B
\n1. Ghosties 8:39
\n[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/Audio\/Pen-5-Ghosties.mp3″]
\n2. Virus 23 14:08
\n[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/Audio\/Pen-6-Virus23.mp3″]
\n3. Malady of Death 6:59
\n[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/Audio\/Pen-7-MaladyofDeath.mp3″][\/spoiler]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[divider top=1]<\/p>\n\n\n\n
\"\"<\/td>\n[highlight bg=”#222″ color=”#fff”] Tonepleromas <\/strong>[\/highlight]
\nReleased: 1989 (Canada)
\nFormat: CD\/CASS
\n[spoiler title=”Tracklist + listen”]
\nSIDE A
\n1. Dreamy Dreamtime Dreamers 3:40
\n[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/Audio\/Ton-1-Dreamy.mp3″]
\n2. Procession 5:31
\n[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/Audio\/Ton-2-procession.mp3″]
\n3. Cold Sweat 9:08
\n[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/Audio\/Ton-3-ColdSweat.mp3″]
\n4. Visions (live) 6:12
\n[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/Audio\/Ton-4-Visions.mp3″]
\n5. Rush 4:14
\n[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/Audio\/Ton-5-Rush.mp3″]SIDE B
\n1. Man in the Moon 15:22
\n[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/Audio\/Ton-6-ManMoon.mp3″]
\n2. Pond Water 13:17
\n[media width=”250″ height=”24″ url=”http:\/\/spinchbeck.com\/Audio\/Ton-7-PondWater.mp3″]
\n[\/spoiler]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[divider top=1]<\/p>\n\n\n\n
\"\"<\/td>\n[highlight bg=”#222″ color=”#fff”] Wildcats!! <\/strong>[\/highlight]
\nReleased: 1987 (Canada)
\nFormat: CASS
\nCover: Keith Wedish
\n[spoiler title=”Tracklist”]
\n[\/spoiler]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[divider top=1]
\n[spacer size=”20″]
\n[spacer size=”20″]
\n[heading]Compilations[\/heading]<\/span><\/p>\n\n\n\n
\"\"<\/td>\n[highlight bg=”#222″ color=”#fff”] Active Crossover <\/strong>[\/highlight]
\nReleased: 2010 (UK)
\nFormat: Internet release
\nLabel: Impulsive Habitat
\n<\/a>
\n[spoiler title=”Tracklist”]
\nSimon Whetham
\n[quote]Throughout May 2009 I participated in a residency at the Polymer Factory Culturehouse in Tallinn, Estonia, to compose new work, collaborate with other artists using sound and run deep listening, field recording and composition workshops.This residency has resulted in \u00e2\u20ac\u02dcActive Crossover\u00e2\u20ac\u2122, a touring exhibition and exchange project which has been hosted by the Arnolfini in Bristol and The Grey Area in Brighton, incorporating a large scale sound installation in two sonically treated chambers, creating three separate listening experiences.In one you hear my composition created during and following the residency, in the other work by all the artists i worked and performed with. When outside the enclosed spaces, the listener will hear both, combining my work with that of the guest artists. The track released by Impulsive Habitat is a composed approximation of being in the exhibition space and moving around the three chambers. You will hear my work in isolation, and that of the guest artists, but also a combination of the two.[\/quote]
\nQuoted from
\nImpulsive Habitat<\/a>, 2010, Active Crossover – Simon Whetham & VA<\/strong>, [online] Written by Simon Whetham. Full text available at:\u00c2\u00a0http:\/\/impulsivehabitat.com\/releases\/ihab012.htm<\/a><\/em>
\n[spacer size=”20″]
\nTracklist
\n1. Simon Whetham: ‘Active Crossover II’
\n2. John Grzinich: ‘Sentience of Spring’
\n3. Jez riley French: ‘Pelure #10′
\n4. Maksim Shentelev: ’16-36’;
\n5. Sound Meccano: ‘Walking through’
\n6. Kaspars Kalnins, Toms Siklovs, Gints Birznieks, Maksim Shentelev and John Grzinich: ‘Bungu Tanks \/ Turbine Hall’
\n7. KIWA: ‘Structural Divisibility’
\n8. Toomas Thetloff: ‘Buckwheat on Steel Brushes’
\n9. Shawn Pinchbeck: ‘Ajulennuline’
\n10. Merilyn P\u00c3\u00bcss: ‘From Butterflies to Crows’
\n11. Piibe Piirma: ‘Sound for Babies’
\n12. Jaanika Kakluse: ‘The Walk’
\n13. Silver Stairs of Ketchikan\/Joined By Wire: ‘Active Crossover 18Oct09’
\n14. Alexander Thomas: ‘Active Crossover 18Oct09’
\n15. Iris Garrelfs \/ Douglas Benford: ‘Active Crossover 18Oct09’
\n[\/spoiler]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[divider top=1]<\/p>\n\n\n\n
\"\"<\/td>\n[highlight bg=”#222″ color=”#fff”] Unsound 2 <\/strong>[\/highlight]
\nReleased: 2008 (Canada)
\nFormat: CD
\nLabel: Boreal Electroacoustic Music Society<\/a>
\n[spoiler title=”Tracklist”]
\n[quote]Since its creation by DJs at radio CJSR in Edmonton in 1989, the Boreal Electroacoustic Music Society has been dedicated to the production and promotion of sound-oriented experimentation. We use the broadest and most inclusive definition of electroacoustic music, welcoming creativity in any medium. Our membership includes music professors, rock band players, dancers, poets and professional instrumentalists and composers, as well as enthusiasts and dreamers from every walk of life. We perform several concerts a year in addition to occasional recordings, festivals and workshops. This CD is very representative of our shows. We hope you enjoy it![\/quote]
\nQuoted from BEAMS<\/a>
\nMore info about Unsound 2<\/a>
\n[spacer size=”20″]
\nTracklist
\n1. Dave Clarke: Tabla Rasa (4:00)
\n2. Shawn Pinchbeck: Ajulennuline (4:52)
\n3. Don Ross: Sometimes when I practice… (4:12)
\n4. Tippy Agogo: Dilenmma of Poor Oedipus (5:05)
\n5. Thom Golub: Preoccupation for Two Basses (5:21)
\n6. Karen Porkka: Ash on my Belly (3:33)
\n7. Doublethink: Collage (4:23)
\n8. LEO .fx: Celtic Ayre (2:37)
\n9. Dave Wall: Black Eyes, Blue Hair – Duet 3 (5:15)
\n10. Reinhard VonBerg: BSQ (4:25)
\n11. Gary Lee: The Unveiling (2:47)
\n12. Theta State: Dragon (3:26)
\n13. Philip Jagger: Blackbirds (3:16)
\n14. Condaleeza Rice Paddies: Modulate This (3:00)
\n[\/spoiler]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[divider top=1]<\/p>\n\n\n\n
\"\"<\/td>\n[highlight bg=”#222″ color=”#fff”] Unsound <\/strong>[\/highlight]
\nReleased: 2001 (Canada)
\nFormat: CD
\nLabel: Boreal Electroacoustic Music Society<\/a>
\n[spoiler title=”Tracklist”]
\nMore info about Unsound<\/a>
\n[spacer size=”20″]
\nTracklist
\n1. Joel Kroeker: Beats Conglomerate (1:58)
\n2. David Berezan: Dawn\/Microcosm (3:24)
\n3. Scott Sarman: Mr. Media Remix (3:32)
\n4. X. I. Selene, Phil Hawes, Jay Lind: Let the Dialectics Begin (3:58)
\n5. Kenneth Doren: Gloria in excelsio Roger Moore (3:10)
\n6. Nadia Berg: Bedtime (5:04)
\n7. Mark Hannesson: Ropes of Sand (Pt I, II, IV) (5:23)
\n8. Killers Lose in the Parking Lots: Voxic (4:00)
\n9. Raylene Campbell: Rakini (Passion) (4:39)
\n10. Reinhard Berg: Cult Figure (4:22)
\n11. Brent Lee: Voie pour doubler (3:21)
\n12. Shawn Pinchbeck: Joytoys (2:35)
\n13. Roger Deegan: Kepler (4:56)
\n14. Bruce Atchison: Zayek (3:12)
\n[\/spoiler]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[divider top=1]<\/p>\n\n\n\n
\"\"<\/td>\n[highlight bg=”#222″ color=”#fff”] The Final Solstice II <\/strong>[\/highlight]
\nReleased: 2000 (UK)
\nFormat: CD
\nLabel: Piski Disk Records
\n[spoiler title=”Tracklist”]
\nTracklist
\n1 – Sorrow \u00e2\u20ac\u201c Petite Cloche Faict Grand Son (Cello \u00e2\u20ac\u201c John Edward Contreras II) – 2:40
\n2 – Sorrow \u00e2\u20ac\u201c The Final Solstice (Bagpipes [Uilleann] \u00e2\u20ac\u201c Nigel McKernaghan) – 8:24
\n3 – Sorrow \u00e2\u20ac\u201c Extracts From The Faery Queene (Featuring \u00e2\u20ac\u201c David Michael Bunting, Shawn Pinchbeck) – 6:21
\n4 – Rosa Mundi \u00e2\u20ac\u201c The Snow Man – 3:21
\n5 – Spell \u00e2\u20ac\u201c I Got You Babe – 3:09
\n6 – Velocity Star \u00e2\u20ac\u201c Warm Leatherette – 3:25
\n7 – Penan Ophis \u00e2\u20ac\u201c Nierika – 5:10
\n8 – Rose McDowall \u00e2\u20ac\u201c Tibet – 3:14
\n9 – Resonance \u00e2\u20ac\u201c Butterfly Hawk – 5:02
\n[\/spoiler]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[divider top=1]<\/p>\n\n\n\n
\"\"<\/td>\n[highlight bg=”#222″ color=”#fff”] The Final Solstice <\/strong>[\/highlight]
\nReleased: 1999 (UK)
\nFormat: CD – Limited edition
\nLabel: Piski Disk Records
\n[spoiler title=”Tracklist”]
\nTracklist
\n1 – Sorrow \u00e2\u20ac\u201c Petite Cloche Faict Grand Son (Cello \u00e2\u20ac\u201c John Edward Contreras II) – 2:40
\n2 – Sorrow \u00e2\u20ac\u201c The Final Solstice (Bagpipes [Uilleann] \u00e2\u20ac\u201c Nigel McKernaghan) – 8:24
\n3 – Sorrow \u00e2\u20ac\u201c Extracts From The Faery Queene (Featuring \u00e2\u20ac\u201c David Michael Bunting, Shawn Pinchbeck) – 6:21
\n4 – Rosa Mundi \u00e2\u20ac\u201c The Snow Man – 3:21
\n5 – Velocity Star \u00e2\u20ac\u201c Warm Leatherette – 3:25
\n6 – Resonance \u00e2\u20ac\u201c Butterfly Hawk – 5:02
\n[\/spoiler]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\"\"<\/td>\n[highlight bg=”#222″ color=”#fff”] I Can\u00e2\u20ac\u2122t Believe It\u00e2\u20ac\u2122s Not Lard <\/strong>[\/highlight]
\nReleased: 1999 (Canada)
\nFormat: CD
\nLabel: The Cliffords<\/a>
\n[spoiler title=”Tracklist”]
\nMore info about I Can\u00e2\u20ac\u2122t Believe It\u00e2\u20ac\u2122s Not Lard<\/a>
\n[spacer size=”20″]
\nTracklist
\n1. Blast Pattern – 7 Miles
\n2. Mic Berends – Big Blue Is Back
\n3. Snafoo Corporation – Big Car
\n4. The Wiper – Confidence
\n5. !!* Exploring the Secrets of Treating Deaf Mutes
\n6. Cannibaloney – Estrogen
\n7. Lord Humungus – First Steps
\n8. High Priests of Memphis – Sydney Quads and the Megascope Space Probe
\n9. Ed Boland – Goodbye
\n10. Hammerspace – Twenty Deadly Diseases
\n11. Darwin Grosse – Mad Dad Mangles a Strad\/Nighttime Falls
\n12. All American Girl Severed Heads Tribute Band – Son Of…\/Greater Reward
\n13. Tractor Beam All Stars – Sam Loves You
\n14. Carya Amara – Big Car
\n15. Stephen Jones – NationArtists
\nBlast Pattern<\/strong> Michael Caisley
\nMic Berends<\/strong> Mic Berends
\nSnafoo Corporation<\/strong> Jakob Winnberg
\nThe Wiper<\/strong> Pascal Blin
\n!!*<\/strong> Bernie Maier
\nCannibaloney<\/strong> Jonathan Parrish, Shawn Pinchbeck
\nLord Humungus<\/strong> Lord Humungus
\nHigh Priests of Memphis<\/strong> Daryn LeHoux, Matt Stevens
\nEd Boland<\/strong> Ed Boland
\nHammerspace<\/strong> Dave Watson
\nDarwin Grosse<\/strong> Darwin Grosse
\nAll American Girl Severed Heads Tribute Band<\/strong> Lx Rudis
\nTractor Beam All Stars<\/strong> Eric Nofsinger
\nCarya Amara<\/strong> Kevin Busby
\nStephen Jones<\/strong>Stephen Jones
\n[\/spoiler]<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[divider top=1]<\/p>\n\n\n\n
\"\"<\/td>\n[highlight bg=”#222″ color=”#fff”] Soundland Alberta: Le Pays Sonore <\/strong>[\/highlight]
\nReleased: 1996 (Canada)
\nFormat: CD
\nLabel: Edmonton Concert Composers’ Society<\/a>
\n[spoiler title=”Tracklist”]
\nTracklist
\n1. Scott Godin ‘longing…’
\n2. David Eagle ‘Music for Axio (Open this Door)’
\n3. Ronald Hannah ‘Concert Piece’
\n4. Robert Rosen ‘Suite fz\/thanks Frank’
\n5. Violet Archer ‘Four Short Pieces’
\n6. Brent Lee ‘La verita fora’
\n7. Jeff McCune ‘Red Hills and Blue Sky: Hommage to Georgia O’Keeffe’
\n8. Shawn Pinchbeck ‘Transformation #1’
\n9. Garth Hobden ‘Musica coelestis’
\n10. Piotr Grella-Mozejko ‘Due pezzi’
\n[\/spoiler]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[divider top=1]<\/p>\n\n\n\n
\"\"<\/td>\n[highlight bg=”#222″ color=”#fff”] DisContact! II <\/strong>[\/highlight]
\nReleased: 1995 (Canada)
\nFormat: CD
\nLabel: Canadian Electroacoustic Community<\/a>
\n[spoiler title=”Tracklist”]
\nMore info about DisContact! II<\/a>
\nListen to the compositions<\/a>
\n[spacer size=”20″]
\nTracklist
\nCD 1
\n1. Ned Bouhalassa – Move 1 (Extrait) – 3:07
\n2. Ian Chuprun – Duet (For Headphones) – 2:50
\n3. Francis Dhomont – L’\u00c3\u00a9lectro – 1:11
\n4. Daniel Feist – Diptych – 2:58
\n5. Michel Frigon – Itin\u00c3\u00a9raire au Cr\u00c3\u00a9puscule – 2:40
\n6. Gilles Gobeil – Le Vertige inconnu – 3:04
\n7. Monique Jean – Embrace – 2:47
\n8. Kathy Kennedy – Music Box II – 1:19
\n9. Frank Koustrup – Woodstock To Detroit – 2:44
\n10. Daniel Leduc – R\u00c3\u00a9ponse impressionniste donn\u00c3\u00a9e par Josef K. lors d\u00e2\u20ac\u2122une fin de soir\u00c3\u00a9e hivernale \u00c3\u00a0 une touriste fran\u00c3\u00a7aise qui passait en face de la gare – 3:04
\n11. Robert Normandeau – Spleen – 2:59
\n12. Er Polen – .TRANse.SEPTem. [Machina Mundi In Septem S\u00c3\u00a6c\u00c3\u00bclum] – 3:05
\n13. Laurie Radford – Enclave (Excerpt) – 2:57
\n14. Jean Routhier, Christof Migone, Michel F. Cot\u00c3\u00a9 – Sous les d\u00c3\u00a9combres d\u00e2\u20ac\u2122une br\u00c3\u00a8ve h\u00c3\u00a9morragie champ\u00c3\u00aatre – 3:05
\n15. Fr\u00c3\u00a9d\u00c3\u00a9ric Roverselli – L\u00e2\u20ac\u2122\u00c3\u2030veil de la cit\u00c3\u00a9 – 2:41
\n16. Claude Schryer – 3 Radioludes (Extrait) – 3:07
\n17. Pascale Trudel – Le Poisson Qui Cache l’Oiseau – 2:56
\n18. John Winiarz – Jack in a (Music) Box – 2:55
\n19. Egils Bebris – Hockey Night In Opera – 2:27
\n20. Gustav Ciamaga – Possible Spaces No. 1 – 2:48
\n21. Janit Cross – Pleasant Tasks – 3:06
\n22. Rob Cruickshank – Starting From The House, Working Outwards – 2:50
\n23. Bruno Degazio – Jolly – 2:28
\n24. Robert Del Buono – Harmonica – 2:57
\n25. Markos Lekkas – Chronographica Delta – 2:47CD 21 Andra McCartney – Arcade ’94 – 2:35CD 2
\n1. Andra McCartney – Arcade ’94 – 2:35
\n2. Sarah Peebles – Nocturnal Premonitions – 2:17
\n3. Randall Smith – Fleeting Wheels of Changes – 2:30
\n4. Eric C. Woodley – Abide With Me (New York No. 1) – 2:48
\n5. Wes R.D. Wraggett – Chants of the Apocalypse: Icarus Strictures Part Two; Fanfare: Parade (Words of War) – 3:00
\n6. Mara Zibens – Siquppalavuk\/It Sounds Like Breaking – 2:45
\n7. Bentley Jarvis – What Are You Talking About? – 2:50
\n8. Chris Meloche – Extensions V – 2:46
\n9. Sergio Villarreal – On The Other Shore – 3:09
\n10. Gregory Jay Lowe – Song Of The Turtle – 2:17
\n11. Diana McIntosh – Processions (Excerpt) – 2:42
\n12. Gordon Fitzell – Zipper Music – 3:03
\n13. Garth Hobden – Inukshuk – 2:55
\n14. Shawn Pinchbeck – The Children Are The Future – 3:04
\n15. Steven R. Heimbecker – I Beat John Sobol at Pool Last Night – 3:03
\n16. Daniel Scheidt – Big Piano: Storm – 2:28
\n17. Darren Copeland – Darkness Colours – 3:02
\n18. Martin Gotfrit – Guitar With Hut20 – 2:24
\n19. Fred Semeniuk – Spraying – 2:35
\n20. Barry Truax – Bamboo, Silk And Stone (Excerpt) – 3:12
\n21. Barbara Golden – Flaming Toast – 2:05
\n22. Yasuhiro Ohtani – Brain Wash – 2:57
\n23. Christian Calon – En Vol – 3:00
\n24. Thomas Gerwin – Epilogon – 2:09
\n25. Francisco L\u00c3\u00b3pez – El Mundo Depu\u00c3\u00a9s De La Invasi\u00c3\u00b3n De Los Zor\u00c3\u00a1pt – 2:44
\n26. Daniel Zimbaldo – Ritual Of The Rose – 0:33
\n[\/spoiler]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[divider top=1]<\/p>\n\n\n\n
\"\"<\/td>\n[highlight bg=”#222″ color=”#fff”] A BEAMS Compilation <\/strong>[\/highlight]
\nReleased: 1991 (Canada)
\nFormat: CASS
\nLabel: Boreal Electroacoustic Music Society<\/a>
\n[spoiler title=”Tracklist”]
\nTracklist
\nDis Side
\n1. Monkabuggle: The number is… (1:48)
\n2. Sheldon Sydia: Jah Maker (3:30)
\n3. Shawn Pinchbeck: The Sand, The Sea, The Stars (4:00)
\n4. Bruce Atchison: The Long Ride Home (4:45)
\n5. Bill Damur: The New Birds Ascending (7:45)
\n[spacer size=”20″]
\nDat Side
\n1. Jamie Philp: Shiv (from Victories Over Us \/ Defeat At Our Hands) (5:44)
\n2. Argument Club: The Ventriloquist (4:17)
\n3. Piotr A. Grella: Epitaph For Jerzy (8:21)
\n4. Babysugarbag: Dope C. Mantor (1:33)
\n5. FLEM: “Uhh…” (1:22)
\n[\/spoiler]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[divider top=1]<\/p>\n\n\n\n
\"\"<\/td>\n[highlight bg=”#222″ color=”#fff”]Driven Element Compilation<\/strong>[\/highlight]
\nReleased: 1988 (Canada)
\nFormat: CASS
\nLabel: Driven Element Productions
\n[spoiler title=”Tracklist”]
\n[quote]
\nFrom around 1982 until about 1991 (dates are unclear) Marcel Dion ran a weekly Electronic\/Experimental\/Avant-Garde radio show on CJSR (campus\/community radio station in Edmonton, Alberta, Canada) called Departures. It’s always unclear with campus\/community radio how large your audience is and so it’s unknown how popular the show was. However, what is clear is that it became a beacon for the local electronic\/experimental music community in Edmonton at that time. As such, in 1988 Marcel decided to produce a compilation of local talent fitting the vision of his show and created the tiny private press cassette Driven Element.Waxidermy, June 17, 2007
\n[\/quote]
\nQuoted from
\nWaxidermy, June 17, 2007, Driven Element (Various Artists)<\/strong>, [online] Written by Canonical. Full text available at: http:\/\/waxidermy.com\/driven-element-various-artists\/<\/a><\/em>
\nTracklist
\nTUBE SIDE
\nWilfred Kozub \u00e2\u20ac\u201c RPV – 4:33
\nBruce Atchison \u00e2\u20ac\u201c Move It Out Now – 3:52
\nJim Serediak \u00e2\u20ac\u201c There’s No Harm In Trying – 4:50
\nEvan C. Jones \u00e2\u20ac\u201c Retrospection – 3:45
\nThe Legion of Irrelevance \u00e2\u20ac\u201c Almost Catholic – 3:08
\nJamie Philp \u00e2\u20ac\u201c Black Finger (excerpt) – 5:00
\nChris Taylor \u00e2\u20ac\u201c A Four Minute Exercise – 4:22
\nJohn Oparyk \u00e2\u20ac\u201c I Wish I’d Never Read Franz Kafka – 3:16
\nGeorge Arasimowicz \u00e2\u20ac\u201c Bohater – 9:53
\n[spacer size=”20″]
\nCLAMP SIDE
\nGuerilla Welfare \u00e2\u20ac\u201c Growth? – 4:49
\nShawn Pinchbeck \u00e2\u20ac\u201c A Promise To Keep – 4:40
\nDan Cramer \u00e2\u20ac\u201c House – 5:10
\nScott Alloy \u00e2\u20ac\u201c Gimli Grog (exerpt) – 5:45
\nKillers Lose In The Parking Lot \u00e2\u20ac\u201c Polyester Pope – 4:15
\nThe Bugs \u00e2\u20ac\u201c Cats – 4:55
\nJay Styles \u00e2\u20ac\u201c Themes – 5:00
\nMark wasarab \u00e2\u20ac\u201c #4 – 3:40
\nDonovan Reimer \u00e2\u20ac\u201c And Into Order – 5:27
\n[\/spoiler]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[divider top=1]<\/p>\n\n\n\n
\"\"<\/td>\n[highlight bg=”#222″ color=”#fff”] An Alberta Music Compilation <\/strong>[\/highlight]
\nReleased: 1985
\nFormat: CASS – Limited edition
\nLabel: Ohama Records<\/a>
\n[spoiler title=”Tracklist”]
\n\"\"
\n[\/spoiler]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[divider top=1]
\n[spacer size=”20″]
\n[spacer size=”20″]<\/p>\n

[heading]Live silent film accompaniment[\/heading]
\n1995 Live silent film accompaniment for [highlight bg=”#222″ color=”#fff”] Metropolis [\/highlight] (Directed, Fritz Lang)
\n1992 Live silent film accompaniment for [highlight bg=”#222″ color=”#fff”] Un Chien Andalou [\/highlight] (Directed, Louis Bunuel\/Salvador Dali)<\/p>\n","protected":false},"excerpt":{"rendered":"

[heading]Audio Releases[\/heading] [highlight bg=”#222″ color=”#fff”] Remote Controls [\/highlight] Released: 2012 (Canada) Independent release Format: CD [spoiler title=”Tracklist”] 1. Remote Controls 35:11 Live at Edmonton Works Festival Churchill Square Canada June 29, 2011Album art by Delina Reiss [\/spoiler] [divider top=1] [highlight bg=”#222″ color=”#fff”] Sonic Waking [\/highlight] With Ken Gregory and Steve Heimbecker Released: 2006 (Canada) Independent […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.spinchbeck.com\/index.php?rest_route=\/wp\/v2\/pages\/49"}],"collection":[{"href":"https:\/\/www.spinchbeck.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.spinchbeck.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.spinchbeck.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.spinchbeck.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=49"}],"version-history":[{"count":0,"href":"https:\/\/www.spinchbeck.com\/index.php?rest_route=\/wp\/v2\/pages\/49\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.spinchbeck.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=49"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}